![A still from the Korean comedy film "Pilot," provided by Lotte Entertainment (Image courtesy of Yonhap)](http://koreabizwire.com/wp/wp-content/uploads/2024/07/AEN20240717002600315_09_i_org.jpg)
A still from the Korean comedy film “Pilot,” provided by Lotte Entertainment (Image courtesy of Yonhap)
SEOUL, Jul. 17 (Korea Bizwire) — Set against the vibrant backdrop of South Korea, “Pilot” is a pleasant but uninspired comedy that fails to deliver the side-splitting laughs it seems to promise.
A remake of the Swedish film “Cockpit,” the Korean flick follows the career crash-landing of Han Jung-woo (played by Cho Jung-seok), a star pilot fired for a sexist remark.
Desperate to reclaim his professional life after a string of failed attempts, Jung-woo takes a drastic step: he disguises himself as a woman to apply for a job rumored to have been specifically earmarked for female captains.
Initially successful, he even becomes an instant hero for a daring emergency landing. However, his newfound fame throws his carefully constructed identity into chaos.
This seemingly unrealistic premise kicks off a series of comedic mishaps as Jung-woo navigates his new identity.
![A still from the Korean comedy film "Pilot," provided by Lotte Entertainment (Image courtesy of Yonhap)](http://koreabizwire.com/wp/wp-content/uploads/2024/07/AEN20240717002600315_11_i_org.jpg)
A still from the Korean comedy film “Pilot,” provided by Lotte Entertainment (Image courtesy of Yonhap)
The film also tackles the serious issue of gender discrimination, highlighting the prejudice women face in the workplace. However, the exploration of this theme feels underdeveloped at times, offering social commentary as a side dish rather than a main course.
Despite the film’s shortcomings, Cho’s performance is undeniably its saving grace. He masterfully delivers comedic timing and a heartfelt portrayal of Jung-woo’s transformation. While initially unlikable, Jung-woo’s unexpected journey fosters empathy, making his growth both believable and endearing.
The humor primarily stems from Jung-woo’s struggles with his new persona. Laughter erupts as he inadvertently reverts to his old masculine habits at inopportune moments. These scenes are well-executed, with Cho’s convincing portrayal of both genders adding a layer of complexity to the comedy. However, the film struggles to land any significant comedic punches, often settling for mild chuckles rather than uproarious laughter.
Overall, “Pilot” is a mildly entertaining film buoyed by Cho’s dynamic performance. It’s a comfortable watch that manages to entertain and provoke thought, albeit in a somewhat limited scope.
Directed by Kim Han-gyul, the film also stars Lee Joo-myoung, Han Sun-hwa and Shin Seung-ho. It opens in local theaters on July 31.
(Yonhap)